blanca arrieta
JULIJA
Shifting.
Whistling.
About to touch.
KEY WORDS from first week
ATTENTION CONCENTRATION
INFORMATION GIVE/RECEIVE
CONNECTION CROSS
RANSFORMATION TO RE-ADJUST
ARTICULATION CLARITY
STABILITY ROOTS
MOBILITY BREATHING
ENTERING THE SPACE TRUST
OBSERVATION PATIENCE
LET GO SPEED
ORIENTATION DIRECTION
PROJECTION AWARENESS
TIME KLONE
SPACE MAP
INCORPORATION GESTURE
HEAD TORSO
FEET FLOOR
BE ON SOMETHING EMBODY
EXTREMITIES TO SCOOP (AIR)
ATMOSPHERE SMELL
16/11/2020
Reflection day 1
I picked the 3 gestures.
I named them:
"The branched shooter man" (25)
"Foolish greeting" (26)
"Side bend chewing gum" (42)
I studied them.
"The branched shooter man" first impression study:
Head resting on biceps
Closed eyes, relaxed jaw
2 wounds: forearm and ribs
Fine line fingers to fingers
Folded, broken branched figure
Associated with the tree near my home:
While doing the task noticed the strong atmosphere-state:
Melting
Drunk
Dizzy
Details:
-Soft articulated fingers like "shooting a magic spell".
-Soft pile to start the movement.
My drawings:
In the end I did as score combination, the 3 gestures together just one after another (1,2,3).
17/11/2020
Reflection day 2
Score for 3 gestures practice.
1st group meeting notes:
What do we do when we dance? To embody, to be on something, to physically be on something, to enjoy, to get pleasure, ... what is interesting for a human being.
Isolation meaning: to re-position everything else, to reorganise, to stay connected, to work as a unit.
2nd group meeting notes:
How do you reach for the gesture? To grow it gradually, to come at once (whole body), to go separately part by part, to stand a ground base and then impose details (head, look, gaze, fingers,...)
How to find a significant meaning for the gesture? ... to squeeze the essence. Associations, facial expression, feelings, emotions, atmosphere, character, physical experience, sensations, vibrations, memories, ...
COMIC BOOK reflections of the day:
18/11/2020
Reflection day 3
Morning session notes
-We enter the space with the gesture, the space has infinite corners.
-What are your individual tools to help you be on something?
-What is the transition between the 2 gestures? (driving it with the fingers, resetting to neutral, letting go the space in between)
SPEED TASK
On the music track
-Arrive to the gesture before the beat, let go, arrive to the next gesture before the next beat.
1 Melting. To close the eyes, to open the leg, to relax de jaw, to create the space for fingers, to project the whole figure, to release.
2 Squeeze inside, to release one side to lift the other side, to open the eyes, to tilt the head, to grow the gesture fingers, to greeting, to release everything.
3 To lower the centre of the ground, to open the position of the legs, to expose the navel to the front, to unfold the diagonal from the floor to the top of the head, to bend the elbows, to direct the look upwards, to project the side of the gaze to the front, ...
Afternoon session notes
-Lifting the the atmosphere of the gesture with the sound, to take it for a walk, to free the gesture.
-Building up the score upon the conversation between the gestures and their atmospheres:
SCORE
212
223
133
111
321
123
222
331
112
1: "Foolish greetings" (26)
2: "The branched shooter man" (25)
3: : "Side bend chewing gum" (42)
BODY-MIND EXERCISE
360º
Timer
1st round: 3min. 51sec.
2nd round: 4min. 29sec.
3rd roud: 5min. 12sec.
Drawing of a person and surrounding.
19/11/2020
Reflecting day 4
Morning session notes:
-MOVING AND PLACING. The creation of a map.
-What are the important connections in the body while duing the gesture and in between the two gestures?
-Feet-floor connection/stability
Head-torso connection/movility
Map for the score 1-3 and 4-6
20/11/2020
Reflection day 5
Working on the score.
Group conversation notes
-No mistakes, just small happy accidents (Luka)
-SOLID is to be connected.
-FAST is to be connected to release it to connect again.
-CONNECTED is to feel where everything is.
AWARENESS is being patient with the body and the mind, to give the time.
-Moving... constant negotiation and decision making (letting go, but how much?)
-Moving... constant dialogue in between.
-BONES are giving the structure.
I picked 2 more gestures.
I named them:
"The pinch" (15)
"Listening to the shell" (11)
I studied them.
"You might regret that later"
"Greetings from my planet. Oh, its you!"
"I´ll just take a rest... for a million years..."
Self Portrait as St. Sebastian, Egon Shiele (1910)
25
Self Portrait with Strped Armlets, Egon Shiele (1915)
26
Kneeling Half Undressed Woman Bending to the Left, Egon Shiele (1917)
42
Youth in Purple Cassok with Folded Hands, Egon Shiele (1914)
11
Fighter, Egon Shiele (1913)
15